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Sundance Deal Scorecard: Why 2. Watch The Toll Of The Sea Online Metacritic. Festival Sales Are in Overdrive. The Sundance Festival reveals the state of the indie film market, and 2. Amazon Studios and Netflix. And given the festival’s robust TV and VR programs,, which were dominated by Google and Facebook/Oculus, there’s further digital disruption ahead. According to one indie distributor, Sundance 2.

Put the same titles into the Sundance market two years ago, and they would have sold for far less. That’s because Netflix and Amazon Studios on the narrative side are dramatically driving up prices. It’s just ridiculous what the digital guys are doing to the marketplace,” said one veteran indie CEO. The Big Sick’ is a great little movie but it’s a $4 million - $6 million buy.

There’s no logic to this model.”However, Sundance has always been about the haves and the have- nots. Winners like writer- comedian Kumail Nanjianai’s true romance “The Big Sick,” which sold to Amazon for $1. Patti Cake$,” which Fox Searchlight scooped up for $9.

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Judd Apatow, Kumail Nanjiani, Emily Gordon, Zoe Kazan, Ray Romano, Barry Mendel, and Michael Showalter from “The Big Sick”Daniel Bergeron. For many other films, their fate lies in the ill- defined world of VOD and streaming, where you don’t always know how many people see the film.

Often, when sellers can’t get the ideal release, filmmakers will go for the big Netflix dollars that will yield the red “A Netflix Original” logo in front of their films. It makes their investors happy.

Or, they go for that standard- issue Amazon Video Direct deal that won’t do much for investors, but is better than nothing.)See More. Amazon Video Direct: Here’s What the Deal Really Means for Sundance Filmmakers. Documentaries. Thanks in no small part to Sundance’s long nurturing, the niche that’s thriving is documentaries. Two of the five Oscar- nominated docs this year debuted at Sundance 2.

Life, Animated” and “O. J.: Made in America.”) Most are backed by various television entities, who book theatrical runs only to qualify for the Oscars. In the age of Netflix, ESPN, CNN, Showtime, HBO and Amazon, why schlep to the theater?(This is why I have no issue with Ezra Edelman’s five- part, eight- hour “O. J.: Made in America,” which defies categorization as film or TV. It’s all one big video medium now, and if Netflix can carve up “Making a Murderer,” or Amazon can slice and dice Amir Bar- Lev’s four- hour Grateful Dead Sundance documentary “A Long Strange Trip,” why not?)Sundance 2. Syria. “Cartel Land” director Matt Heineman’s portrait of a group of dissident journalists from Raqqa, “City of Ghosts,” sparked a bidding war. Watch Iboy Online Free 2016. As did Bryan Fogel’s surreal Russian doping expose “Icarus,” which UTA sold finally to Netflix for $5 million, preferring a one- stop global deal.

Paramount will release Participant’s climate- change agitprop starring Al Gore, “An Inconvenient Sequel,” in theaters. Will it do as much business ($5. Unlikely. Meanwhile, Netflix will push Jeff Orlowski’s urgent save- your- planet message, Sundance pickup “Chasing Coral,” to 1. Still, it’s too bad that this gorgeous underwater exploration of the impact of global warming on coral reefs won’t be seen on the big screen.)“NOBODY SPEAK: The Trials of a Free Press” director Brian Knappenberger went with Netflix over IFC, said seller Josh Braun, partly because he hoped WWE star Hulk Hogan would lure more people to watch the doc who might not show up to your local arthouse. Otherwise, he’s preaching to the choir.

Full disclosure: My daughter worked on this film.)“Step”Courtesy of Sundance. As more people settle into their comfortable, HD- enabled living rooms, clicking on a panorama of streaming opportunities, what are the true theatrical possibilities for Sundance movies these days? Traditional distributors are all too aware of the high stakes; the reason Fox Searchlight shelled out $4 million for musical “STEP” is because the deal is about more than putting a documentary in theaters, with terms that include remake and theater rights. Producer Scott Rudin is an old friend of director Amanda Lipitz, whose Broadway credits include producing the Tony Award- winning play “The Humans.”)See more Sundance at the Box Office: Here’s Why ‘Birth of A Nation’ Isn’t Enough To Scare Buyers In 2. The streaming services’ hunger for “original content” and their very different economic models — subscription services, driving consumers to shop for goods — allow them to spend more than their competitors, driving up minimum guarantees for old- school theatrical distributors such as Fox Searchlight and Weinstein Co.“It is becoming increasingly more difficult to understand how to measure success from an industry perspective,” said Noah Cowan, executive director of the San Francisco Film Society.

That being said, in this frisky environment independent cinema and especially documentaries are being handled with great care and impressive resources.”See more: Sundance 2. Deals: The Complete List of Festival Purchases.

Studio Players. Universal/Focus Features was in the bidding on “The Big Sick,” which helped to drive the price to $1. Sony/Columbia. Amazon Studios added $2 million to the $1. They may have paid more than they had to for comedian Kumail Nanjianai’s true romance, but they got the movie.

Kumail Nanjiani. Daniel Bergeron. Focus Features, under new chief Peter Kujawski (who bet on “Loving” and “Nocturnal Animals” for this year’s Oscar race and landed one nod for Best Actress contender Ruth Negga), wound up buying dark thriller “Thoroughbred” for a reported $5 million, the directing debut of playwright Cory Finley. It stars two Sundance breakouts, “The Witch” star Anya Taylot- Joy and “Me, Earl and the Dying Girl” star Olivia Cooke, who wreak revenge on a wicked stepfather (Paul Sparks). This was the second Sundance film to be dedicated to the late Anton Yelchin; the other was Drake Doremus’s “Newness.”) This could see some genre action much like last year’s Sundance smart horror hit, “The Witch.”Fox Searchlight co- presidents Nancy Utley and Steve Gilula lost their bid against Amazon on “The Big Sick,” but they paid $9.

Patti Cake$” with breakout star Danielle Mc. Donald, and $4 million for music doc “STEP.” Having learned the doc ropes on “He Named Me Malala,” Searchlight is more confident that they have the right stuff to pull audiences, working closely with Paul Allen’s Vulcan Partners on grassroots outreach.“We feel that the ‘STEP’ documentary will be relevant and entertaining to students, parents and educators as well anyone faced with obstacles to overcome,” said Utley and Gilula in an email. We also feel it is highly adaptable to other media including narrative feature, television and stage to broaden the possible access to its inspiring message and characters.”“Call Me By Your Name”Sundance. Sony Pictures Classics came into the festival with world rights to Luca Guadagnino’s elegiac Italian summer gay romance “Call Me By Your Name,” starring Armie Hammer, which landed rave reviews. Tightwads Michael Barker and Tom Bernard paid a premium of $6 million in order to avoid a costly bidding war.

That sophisticated portrait of a love affair will be a soft lob to arthouse patrons. But SPC may have been forced to overpay (a reported seven figure deal for worldwide rights) for one of two nun movies at the festival, Maggie Betts’ “Novitiate,” starring Margaret Qualley and Melissa Leo.